by Shilpa

Pro Tools|HD Native is Here!

October 6, 2010 in News, Pro Tools by Shilpa

Well the speculation is over, the new Avid Pro Tools|HD Native Core has been released. It’s called ‘Native’ because users may now create complex, high-quality audio productions using the full capabilities of Pro Tools HD software in a lower-cost, native solution.

As a basic system, Pro Tools|HD Native consists of an Avid Pro Tools|HD Native Core PCIe card card, Pro Tools|HD software, and an Avid HD interface. These interfaces include the HD I/O, HD Omni I/O, and HD MADI I/O, as well as the legacy 192 I/O, and 96 I/O. DigiLink Mini inputs on the Pro Tools|HD Native Core card provide I/O for up to two separate interface connections and up to 64 channels of ultra-low-latency I/O.

Other than TDM plug-in support (which requires DSP), Pro Tools|HD software runs the same with a Pro Tools|HD Native Core system as it does with a Pro Tools|HD Accel system. You get 192 channels of audio (64 at 192kHz), as well as 7.1 surround sound support, Copy to Send, complete multitrack Beat Detective and other great functions previously unavailable for a native Pro Tools system. And if you’re stepping up from a Pro Tools LE system, you’ll get all of the plug-ins you already know and love. Prices start @ $3495.00.

Avid Pro Tools|HD Native Core Card Features at a Glance:

  • PCIe interface card
  • Compatible with Avid Pro Tools|HD
  • Supports Core Audio and ASIO applications
  • 2 x DigiLink Mini ports interface with Avid HD interfaces including HD I/O, HD Omni I/O, HD MADI I/O, 192 I/O, and 96 I/O
  • Serial port interfaces with SYNCH I/O
  • Provides 64 channels of I/O with almost zero latency
  • Includes Pro Tools|HD DAW and bundled plug-in software
  • Supports full HD feature set including:
  • Support for Mac OS X 10.6 and Windows 7
  • 192 audio tracks, 128 busses
  • Auto delay compensation on hardware and software inserts
  • VCA Mixing
  • Solo Bus AFL/PFL
  • Input Monitoring
  • Destructive/TrackPunch
  • Machine Control
  • ICON Support
  • Advanced audio and video editing

EW/QL Rock October

October 5, 2010 in Audio News by Jennifer Rumple

EastWest/Quantum Leap is at it again. The ‘ROCKTOBER PACK’ is here! This month is no exception from the barrage of monthly sales the company has offered since Labor Day.

This particular special includes Ministry of Rock, Goliath and Fab Four for $595. If you already have one of these virtual instrument packs, swap it out for a slew of others to beef up your music library at 50% off list price. This may be your last chance to get some sweet packs at half the cost, until the next sale – of course!

by Shilpa

Tempo Events vs. Bar|Beat Markers

September 27, 2010 in Audio Channel by Shilpa

Pro Tools allows you to map and manipulate the tempo of your session in more ways than you could ever believe. Have you noticed that the tempo ruler sometimes has green markers and other times blue ones? If your tempo ruler just isn’t behaving the way you want it to, chances are it’s due to whether you have Tempo Events or Bar|Beat markers in the Tempo Ruler.

Here we will highlight the differences between Tempo Events and Bar|Beat Markers, and help you decide which to use in your session.

    Tempo Events
    Tempo Events show up as green triangles in the tempo ruler. The important thing to note about Tempo Events is that they are tick-based. This means they lock to a Bar|Beat|Tick location in your session. With tempo events locked to bars and beats, they will move as you perform additional tempo calculations.

    Tempo Events indicate a change in tempo at a particular location. In order for you to make changes to the Tempo Ruler, the Conductor Track must be enabled. If it’s not, you are in Manual Tempo mode, which, in essence, disables the Tempo Ruler and gives you a fixed Tempo for your session.

    Clicking the + sign to the right of the Tempo Ruler will bring up the Add Tempo Change dialog.

    This is the simplest tempo change you can add. More elaborate Tempo changes can be added from Event>Tempo Operations. Choices include Constant, Linear, Parabolic, S-Curve, Scale, and Stretch.

    Bar|Beat Markers
    In contrast to Tempo Events, Bar|Beat markers are sampled-based and displayed as blue triangles.

    Bar|Beat Markers calculate tempo based on fixed locations, and are added using Identify Beat or Beat Detective’s Bar|Beat Marker Generation. When you move a Bar|Beat Marker, you are changing the location of the Bar|Beat value. Therefore, the Bar|Beat Marker to the left of it will also change to the recalculated tempo. The one you are moving may also change if there is a Bar|Beat marker to the right of it. For instance, lets say you positioned a Bar|Beat marker to line up with a kick hit at 6|1|000. Pro Tools will calculate the tempo between that location and the Bar|Beat marker before it. If you then move the Bar|Beat marker from 6|1|000 to a different position in the timeline, the tempo will be recalculated based on the new position of 6|1|000.

    Because Tempo events are tick-based and Bar|Beat Markers are sample-based, they are incompatible, therefore they cannot be used at the same time. However, the Tempo Ruler can display either Tempo events or Bar|Beat Markers individually.
    To change the display, Command (Mac)/Ctrl (Windows)-click the Add Tempo Change button.

In general, tempo events are used to establish a tempo for the performance, while Bar|Beat markers are used to lock the tempo ruler to an existing performance. Both will cause neighboring MIDI events and audio regions on tick-based tracks to adjust for the new tempo/Bar|Beat position. Understanding and mastering the different uses of Tempo Events and Bar|Beat Markers in Pro Tools is crucial to utilizing the software’s full range of capabilities. Let us know how it has improved your production.

by Shilpa

AVOX Evo Plug-ins are 50% off!

September 23, 2010 in Audio Channel, Audio News by Shilpa

Special Limited-Time Offer! Purchase Any AVOX Evo Plug-in Between Now and Sept. 30 and Save 50%.

AVOX EvoAVOX Evo – the Antares Vocal Toolkit – is a bundle of  10 state-of-the-art, vocal processing modules offering the power needed to create vocal tracks in any musical style. It also allows for designing unique vocal effects for audio post-production applications. If your particular applications only call for certain AVOX Evo functions, you may purchase any of the AVOX Evo plug-ins for 50% regular price (available as downloads only) between now and Sept. 30.

Choose from:
Harmony Engine® Evo Vocal Modeling Harmony Generator – puts professional-quality, vocal harmony within reach of any songwriter, producer, musician or engineer.

MUTATOR Evo Extreme Voice Designer – a tool for unique, vocal special effects and post-production sound design.

ARTICULATOR Evo Digital Talkbox – used for talking guitars, singing synths, whispering voices and a wide range of special effects.

WARM Tube Saturation Generator – warms up vocals with Antares’ analog tube modeling technology.

ASPIRE Evo Aspiration Noise Processor – for modifying a voice’s breathiness independently of its harmonic content.

THROAT Evo Physical Modeling Vocal Designer – process vocals through a meticulously crafted, physical model of the human vocal tract.

DUO Evo Vocal Modeling Auto-Doubler – automatically generates a doubled vocal part with ease and realism.

CHOIR Evo Vocal Multiplier – turns a single voice into up to 32 distinct, individual, unison voices; assign instances of CHOIR to voices singing harmony and voila, instant choir.

PUNCH Evo Vocal Impact Enhancer – gives your vocal more dynamic impact, allowing it to cut through a dense mix with clarity and power.

SYBIL Evo Variable Frequency De-Esser – tames vocal sibilance with a flexible compressor and a variable sidechain frequency to match any vocal performance.

Learn more about all of the AVOX Evo plug-ins.

by Mark

Avid Shows Off New Mbox Family!

September 15, 2010 in Audio Channel, Audio News by Mark

If you are currently looking to get a new Pro Tools LE interface, you might want to hold off until next week. Avid just announced a refresh to the Mbox family. This includes the Mbox, Mbox Mini, and Mbox Pro with a price of $679, $399, and $899, respectively (no word on the Mbox Micro, as of yet). While the standard Mbox is set to ship on Monday, September 20th, the Mini and the Pro are expected in early October, according to Avid’s online store.

If you are interested, you can find out more info on Avid’s website. Here are a couple of picts to Avid’s new hotness to hold you over!

Mbox 3, Pro Tools LE, Mbox

The New Pro Tools Mbox

Quickly, looking over the front panel reveals some new features like Soft Limit and front-side instrument ports. One curious omission, however, is the lack of Mix knob found on previous generations of Mbox. This knob allowed the user to route signals from the input directly to the outputs, bypassing the computer and was instrumental is allowing for zero-latency recording. Personally, I’ve used that feature a number of times. I’m curious to see if they replaced it with a new solution, or just dropped it completely.

Mbox 2, Pro Tools LE, Mbox, Back

and here is the back panel

What is your opinion of the new Mbox look?

Avid Updates Eleven Rack Firmware

September 2, 2010 in Audio Channel, Audio News by Jennifer Rumple

Avid has released its updated version of Eleven Rack — based on the same technology as Eleven plug-in for Pro Tools software. These downloads contain the Eleven Rack Updater application and a Read Me describing the installation process.

Included in the update:

  • Fixed noises coming out of FX Loop when switching between Rigs or activating the Tuner
  • Fixed an issue in which Eleven Rack would not boot into the user-selected Display Mode
  • Fixed an issue in which the knobs in the ‘Outputs’ display mode could go blank if the amp model was changed in the Pro Tools guitar window
  • Fixed an issue with Amp tremolo controls becoming unresponsive when assigned to pedal control (MultiFX mode)
  • Improved control knob tracking, minimized incidents of false parameter value changes
  • Improved Tuner responsiveness and feel
  • Improved response and model specific configurations for external expression pedals
  • Added the ability to switch Rig Inputs between the guitar and mic or line inputs using MIDI CC messages

Check your currently installed Eleven Rack firmware version number to make sure your unit requires this update — or go to Read Me for instructions. Avid will also soon release the Windows 7 64-bit version soon. Those platform users may use the 32-bit version for now. Be aware the ‘Update’ button will look grayed out and the device will appear to be offline — but it is not. Hit ‘Update’ and it should work fine.

by Mark

EWQL Announces TeraPack Drive

September 1, 2010 in Audio Channel, Audio News by Mark

The TeraPack drive is a 1GB hard drive containing the following Quantum Leap libraries pre-installed:

Hollywood Strings
The Dark Side
Symphonic Orchestra
Symphonic Choirs
Symphonic Choirs Expansion
Quantum Leap Pianos
Stormdrum 2 and Pro Upgrade
Voices of Passion
Ministry Of Rock
Fab Four
Goliath
Silk
Ra
Gypsy

Keep in mind the $129 price tag is only for the drive with the libraries installed with 10-day licenses for each library – no full licenses. So, if you have a bunch of EWQL licensed libraries, but don’t have a drive (or the time to copy each DVD) then this will certainly fit the bill.

You can check out EWQL Joins ‘The Dark Side’ for more information about this library. Also, you can order the TeraPack directly from Eastwest.

by Mark

Propellerhead Releases Reason 5

August 31, 2010 in Audio Channel, Audio News by Mark

reason 5, upgrade, box“The Wait is Over!” according to Propellerhead’s August 25 newsletter. After a summer long beta test, Reason 5 and Record 1.5 are finally released.

Check out our announcement report here to learn about some of the new modules and features.

by Mark

Our Mission

August 31, 2010 in Featured Columns, Featured Stories by Mark

I love technology—especially when it is used to express creativity. I remember loving the special effects that powered movies, and being mesmerized by the never-ending parade of guitar pedals. It just seemed to provide me with a limitless amount of inspiration. As time passed, I realized that it wasn’t just the technology that fueled my desire to find new and interesting ways to express myself—it was also the sense of community with people that shared that same desire.

There was just this energy in the air. I would figure out some cool trick and share it with the rest of the group. Then the following week someone would show me how they modified the trick to suit their purposes. This, in turn, inspired me to see the trick in a whole new light. There was never a time when I felt such a quick and fruitful sense of growth.

A couple years ago I had a realization, and it hit me like a ton of bricks. With the Internet and the advent of social networking sites, I had never felt more creatively isolated. Sure, you can do a search and find a user group or set of forums on just about any topic, but is that really a community? I don’t think so.

To be part of a community is to be a part of something bigger than oneself. Most user groups I come across seem very cold and sterile. They have plenty of information, and certainly no lack of opinions from their members, but there is no significant camaraderie or connection between its members. Well, that is about to change.

Enter Command Focused. What you see in front of you is the start of an online community of aspiring media arts professionals. Currently, we are focused on creating an online magazine full of stories, tips, workarounds, and news regarding our industry. This is merely the beginning. In the coming months, Command Focused will introduce new online community tools and features that will not only allow you to share your thoughts and opinions of your industry, but inspire new ways to collaborate outside of the internet. We have a lot of amazing ideas around here and we can’t wait to see them put into action.

For the moment though, I feel it is pertinent to talk about our purpose and the policies regarding this new community. In short, here is our manifesto:

  • Creating a community for all aspiring media artists is our chief concern. To this end, you will see many new features that are intended to bring people together, while also challenging us individually to push on to the next stage of our development.
  • A cynic-free zone! It seems that nowadays you can find a cynical opinion regarding just about everything. We won’t do that. We love technology, creative expression, and, most of all, the place where the two meet.
  • We don’t wear rose-colored glasses. We will not glorify sub-standard products, nor will we pan useful ones. This doesn’t mean that we won’t have an opinion (see the next point), it is just our aim is to be fair and unbiased.
  • Our opinions, whether good or bad, will be supported by facts. Obviously you are completely entitled to have your own. In the interest of community, all we ask is that you support yours, too.
  • We are more than writers. We are media artists/professionals as well. In this way, we are as much of a subscriber to this community as you. To that end, we refuse to adopt any “bottom feeder” web technologies that make it uncomfortable for us to spend any amount of time here. You will not see any pop-up, dangerous, or unrelated ads. We will, however, run ads that are topical and pertinent to the community.
  • As stated above, we are committed to creating a community. As such, you will find more and more ways for everyone to get involved. We have faith that community with a positive outlook can exist on the Internet, and we are prepared to protect it. Don’t be an ass, or we will be forced to deal with your unpleasantness in a swift and harsh manner.
  • We stand behind our content. There will be something for everyone, from those just getting started to those who are experienced.
  • We are platform agnostic. Everyone has his or her preferred work environment, and it isn’t for us to convert anyone (that’s why manufacturers have marketing departments). Our goal is to cover all relevant software platforms. If you are interested in volunteering to write for your particular platform on our site, feel free to send a writing sample and prospectus for your idea to tips@commandfocused.com.
  • We are just getting started.

So there you have it, Command Focused in something slightly larger than a nutshell. I hope what you read excites you, because we are all fired up! We have lots of great content already in the wings and can’t wait to hear what you think of it.

Until next time,

Mark

EWQL Joins ‘The Dark Side’

August 25, 2010 in Audio Channel, Audio News, Pro Tools News by Jennifer Rumple

EWQL, The Dark Side, plug-in, Virtual InstrumentCreepin’ for some eerie, distorted and deliciously dark sound? EASTWEST/QUANTUM LEAP Virtual Instruments is offering ‘The Dark Side’ — a 40 gigabyte collection of distorted percussion, bass, guitar, keyboard, string and other mangled, instrumental effects. Buy during the month of August and get a free 1TB hard drive and a full-working, 10-day trial version of all other EASTWEST/QUANTUM LEAP Virtual Instruments for FREE (a $129 value). ‘The Dark Side’ is organized into instrumental groups so users will be able to create complete, unconventional tracks. For more details click here.

Here’s a Feature list, according to Soundsonline.com:

  • Produced by multiple Award-Winning producer DOUG ROGERS and Grammy Award-Winning producer DAVID FRIDMANN (MGMT, Flaming Lips etc.)
  • Many instruments have been purposely—and skillfully!—mangled, distorted, or effected out of all recognition (plus a selection of dark and eerie instruments).
  • Easy to use browser displays all of your instruments. Interface automatically changes to display current instrument.
  • Perfect for pop (to toughen up the hook), alternative (everything you need), and, of course, film, TV, and game music production
  • Included are 40GBs of highly processed drums and percussion, basses, guitars, ethnic, keyboard, strings, and FX instruments and sounds, all organized into instrumental groups
    Includes PLAY 2 32-bit and 64-bit* sample player, plug-in and standalone (*64-bit is PC only at this time)
  • Easy authorization system puts licenses on hardware iLok, allowing you to use the software on any computer.
  • AU, VST, Standalone, Intel Mac, Windows XP, Vista and 7